William Link: “A prolific screenwriter who created classics of American television.”

From a New York Times obit by Alex Vadukul headlined “William Link, Co-Creator of ‘Columbo’ and ‘Murder, She Wrote,’ Dies at 87”:

William Link, a prolific screenwriter who created classics of American television like “Columbo” and “Murder, She Wrote,” doing so in a writing partnership with a friend from junior high school that lasted nearly 40 years, died on Dec. 27 in Los Angeles.

Mr. Link’s stories about unkempt detectives and persistent private eyes shaped the mystery and crime-drama television genre. With his partner, Richard Levinson, he also created shows like “Mannix,” “Jericho” and “Blacke’s Magic.”

“Murder, She Wrote” starred Angela Lansbury as a mystery writer who solves crimes in the fictional Maine town of Cabot Cove. Network executives were initially skeptical of the idea of a female protagonist who wears reading glasses.

But after they were sold on it, the series became one of the longest-running in television history. . . .

Another Link-Levinson production, “Tenafly,” starring James McEachin, was one of the first detective series to feature a Black lead actor.

Their television movies also broke ground: “That Certain Summer” (1972), a drama that generated wide publicity, starred Martin Sheen as a divorced father who struggles to reveal his homosexuality to his 14-year-old son. “My Sweet Charlie” (1970), adapted from a novel and play by David Westheimer, depicted the friendship that forms between a Black New York lawyer (Al Freeman Jr.), who is falsely accused of murder, and a white pregnant teenager (Patty Duke), whom he encounters while on the run in Texas. The movie brought Mr. Link and Mr. Levinson an Emmy Award for outstanding writing in a drama.

“Each time out, we tried to do something that hadn’t been seen before,” Mr. Link told The New York Times in 1987. “Something that would touch an emotional or social chord.”

He met Mr. Levinson in junior high school in Philadelphia in 1946. . . .They sold their first short story, to Ellery Queen’s Mystery Magazine, in 1954. When Mr. Link was drafted into the Army and sent to Germany in the late 1950s, they continued collaborating on stories by airmail. In the 1960s, they decided to try their luck in Hollywood.

As they started writing episodes for shows like “Alfred Hitchcock Presents” and “The Fugitive” and creating their own, like “Mannix,” they became a prolific unit: rising early, brewing coffee and pounding out scripts to send to studios. (Mr. Link paced while Mr. Levinson typed.)

They first brought the scruffy Lieutenant Columbo to life in a 1960 episode of the anthology series “The Chevy Mystery Show.”. . . The “Columbo” series, starring Peter Falk, began airing on NBC in 1971 and ran until 1978. The pair won an Emmy for their work, and the show was later revived on ABC.

The first episode of the “Columbo” series, titled “Murder by the Book,” was directed by a 25-year-old Steven Spielberg. . . .“Bill was one of my favorite and most patient teachers, and, more than anything, I learned so much from him about the true anatomy of a plot,” Mr. Spielberg said. . . .

Mr. Levinson, who was a three-pack-a-day smoker, died of a heart attack in 1987. Afterward, Mr. Link experienced writer’s block and began seeing a psychiatrist to process the loss of his friend. The death led to his writing the television movie “The Boys” (1991), which starred John Lithgow and James Woods as two writers who develop a long partnership.

“I had never written by myself; I had a fear I couldn’t write solo,” Mr. Link told The Philadelphia Inquirer that year. “I wrote the whole script in eight days. It usually took Dick and me a month. It poured out, like automatic writing. I felt like Dick was still in the room with me.”. . .

In an interview with Mystery Scene Magazine at the time, Mr. Link reflected on the lasting adoration that people have for his cigar-chomping creation.

“He’s a regular Joe,” he said. “He’s the kind of guy you sit down, have a drink, a cup of coffee with. He’s the regular working-class guy — who’s got a brilliant mind but doesn’t really tout it, you know? He’s humble, even to the murderer! And people identify with that. They like that.”

Alex Vadukul is a city correspondent for The New York Times. He writes for Metropolitan and is a two-time winner of the New York Press Club award for city writing and a winner of the Society of Silurians medallion for profile writing.

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