Lewis John Carlino: “The people were very real. They just leaped off the page for me.”

From a New York Times obit by Julia Carmel headlined “Lewis John Carlino, 88, Screenwriter Who Knew Characters Inside and Out”:

Lewis John Carlino, a screenwriter and playwright who earned an Oscar nomination for “I Never Promised You a Rose Garden” and who both adapted and directed “The Great Santini,” died on June 1. . . .

Mr. Carlino had written several Off Broadway plays earlier, including “Cages,” “Telemachus Clay,” and “Doubletalk.” His other screenwriting credits included John Frankenheimer’s “Seconds” (1966); “The Sailor Who Fell From Grace With the Sea” (1976), starring Kris Kristofferson and Sarah Miles, which he also directed; “The Brotherhood” (1968), starring Kirk Douglas; “The Mechanic” (1972), starring Charles Bronson; and “Resurrection” (1980).

In a long career of writing and directing for the stage, the screen and television, however, Mr. Carlino was best known for the films “I Never Promised You a Rose Garden” (1977), based on Joanne Greenberg’s novel about a teenage girl’s struggle with schizophrenia, for which he and Gavin Lambert received an Oscar nomination for best adapted screenplay; and “The Great Santini” (1979), based on the autobiographical novel by Pat Conroy, which he adapted and directed. . . .

After Mr. Carlino read Mr. Conroy’s novel about a son’s troubled relationship with his authoritarian and abusive father, a Marine Corps fighter pilot, he later recalled, he wrote furiously, finishing the entire screenplay in 21 days.

“I loved its humanity. I loved its humor,” Mr. Carlino told The New York Times in 1980. “The people were very real. They just leaped off the page for me.”. . .

Though his work faced harsh criticism at times, Mr. Carlino always prided himself on knowing his characters inside and out.

Discussing “Resurrection,” Mr. Carlino emphasized his ability to create and intuit his subjects.

“I’ve lived moment to moment with every character in that screenplay,” he said. “If I don’t know the answers, nobody does.”

Especially as he grew older, Mr. Carlino focused less on seeking critical acclaim and more on the satisfaction of sculpting complex characters. After projects including “The Great Santini” received mixed reviews, he moved to Whidbey Island and began choosing his work based on whether the story would allow him to evoke emotion. At the time of his death, his most recent play, “Visible Grace,” was in development for production.

“I love to write people, you know,” he said in the Times interview. “I’m trying to get back to subjects that have some affirmation for the human condition.”

“The work that I do from now on,” he continued, “should make you feel good about being alive.”

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